FROM DECOLINISNG THE MINDS: Ngugi
wa Thiong’o
1. Describe the author’s experiences
about language and literature ?
Ngugi
Wa Thiong'o famously began his writing career writing in English. He had
considerable success, but eventually turned to writing in his mother tongue,
Gikuyu. Ngugi is among a handful of authors who have written successfully in
more than one language. In his essay Decolonizing
the Mind argues in favour of expression by African writers in their native
languages rather than in European languages. The children spoke Gikuyu and
listen to Gikuyu tales with lot of interest. Ngugi
stresses an important insight: Africans relate to their mother tongues in a
very different way than they would use these foreign imposed languages.
Speaking and writing in the language of colonizers make Africans think foreign.
They even learnt the music of their language. When Thiong’o joined
a colonial school, English became the language of his formal education. So the
first four years there was still harmony between the language of his formal
education and that of the limuru peasant community. The education of colonial
schools in Kenya drove children away from their own selves and their culture. It was the official vehicle the magic formula to
the colonial education. Language and literature took them away from their
native culture. Thus language and literature were taking them further and
further from themselves to other selves, from their world to other worlds.
2. How does the title, DECOLINISNG THE
MINDS get a voice through the life Ngugi wa Thiong’o?
The central objective in decolonizing the African mind is to overthrow the authority
which alien traditions exercise over the African. This
demands the dismantling of white supremacist beliefs,
and the structures which uphold them, in every area of African
life. Among the problems with Decolonising
the Mind is its political and ideological slant. He writes of "two
mutually opposed forces in Africa today: an imperialist tradition on one hand,
and a resistance tradition on the other. ‘Decolonising
the Mind’ is a political treatise with its many rants against colonialism and
imperialism. For the author, the reverting back to local language use is the
best way to rectify the evils and ills of adverse colonial influence. To say
that Ngugi’s book is rife with ideology is an understatement. For him, Africa
today is caught between two opposing forces: the colonial and the
traditionalist.
3. What is the importance of language
in the story telling sessions of Ngugi’s childhood?
‘Decolonising the Mind’ is both an
explanation of how he eventually decided to write in Gikuyu, as well as an
encouragement for African writers to write in their native languages. According to Ngugi, language is more than just a means of
communication; it is the essence of their being. Story telling is a part of the
African Children’s life. It enabled them learn about their culture. In story
telling language was effectively used. It was not a mere sitting of words but
had a suggestive power. It gave the children a view of the world. It had a
beauty of its own. It reflected their culture and way of life.
4. Bring out the colonial systems of
education experienced by Ngugi in his own native Kenya?
Ngugi
rightly complains that an educational focus that embraced essentially only
foreign works was destructive. The local language is an integral part of
conveying that experience, often because much of local tradition has been
preserved in that language -- for example, in the songs and stories that have
been passed down. Ngugi convincingly shows the benefits of working in the local
language, and within local traditions, as the entire community works together
to create and shape a play.
5.
What happened to the education system after
1952?
In 1952 when the
Nationalists Schools were taken over by the colonial regime, English became the
language of the writer’s formal education. Pupils were not allowed to speak in
their native language. If they spoke they were given corporal punishment.
English became the measure of one’s intelligence, which determines the
progress.
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